Eumenides by Aeschylus. Two years of solitude and in research, rehearshing for 11 months with 14 actors, presented in two different schemes.

Worked with structured team improvisations in order to create a uniform and original body language and to get a feel of acting as one body when in Chorous.

EUMENIDES by Sophocles 2009

ATHENS FRINGE 2009

Theater “Dora Stratou” July 2009

Theater “Rematia” September 2009

We create our own body Language using contemporary Art formsOur research is based in actually putting into use the method described in “Aristotle’s “Poetica’’ in which a system is described by which sound is articulated in a way that creates vibrations, which in return are magnified by the rhythmic pulse of the laws of Metric applied called “Prosody”. Apart from training in Aristotle’s method our work includes research in the movement of the body as it inspires and concludes the spectacle. Further more we create our own body Language using contemporary Art forms. The actor becomes a moving ideogram. The movement by which the actor articulates his movement cannot in fact be a different scheme than the scheme of his Voice, there has to be coherent Poetic Harmony. The work conducted is rear and authentic as there are few that involve themselves in a similar manner.